TEMPORARY EXHIBITION-EPHEMERAL-TRANSITIONAL-KINETIC-SITE SPECIFIC

Materials: raw wool from New England farms, scaffolding, debris netting, steel,  fishing net, rope, and an existing light box.

Dimensions: 72x6x8 ft.

Site: Christian Science Plaza in Boston, Massachusetts

When: May 1 through November 1, 2013

Press: Marty Carlock, “Convergence, Boston Sculptors Gallery at the Christian Science Plaza”, Sculpture Magazine, March 2014, PP 75,76,

Suzanne Volmer, “Convergence”, Artscope Magazine, August, 2013

What: The Lighthouse is a site specific installation made for the Boston Sculptors Gallery group show, Convergence




Photography by Jeff Derose, George Sherwood, Nancy winship Milliken

 I started my process by thinking about Boston as the home of the first lighthouse in North America. About how the materials represent the industries of New England. How the wool contrasts with the solid massive materials of the plaza. How the wool moves in the wind and twists around the grid of the graceful scaffolding. But then the work comes out of the studio, interacts with its surroundings, and continues the process I began. It becomes much more than its materials. In this case, perhaps, The Lighthouse is about opening up. Opening up the impenetrable forms of buildings or of ourselves. The thick walls of a lighthouse are gone, and we witness the internal structure allowing the light to shine, not just at the apex, but throughout its length.

​Afternoon light in the spring, look for changes during the seasons. Photo by George Sherwood

​Afternoon light in the spring, look for changes during the seasons. Photo by George Sherwood

The Lighthouse, Nancy Winship Milliken, Boston Christian Science Center
​View from inside The Lighthouse

​View from inside The Lighthouse

The above images were taken the last week before The Lighthouse was deinstalled.